当我看到“重逢”这个话题时，我想到了中国饺子。所有中国人都知道这种食物。虽然它是一道非常普通的菜，但它有特殊的含义。春节期间，不在家乡的人回家。好久不见的家人聚在一起吃饺子。这就是为什么我的两部作品都是围绕这种模式创作的。 我决定使用传统的中国画图案，将这些构图与饺子这一意想不到的元素结合起来。在我的第一幅作品中，我使用了有不同含义的鹤的形象。它代表好运、长寿和老年。我也把重逢这个词理解为年龄和时间的统一。永恒的鹤和饺子一起创造了一个奇怪而有趣的景象。第二幅作品的特点是一个饺子作为一个太阳形象，从锅里出现。 我试图将严肃的美学形式和幽默感结合起来。这种流派的混合也许接近媚俗审美，近乎奇怪的味道，但我发现能够创作出奇怪而令人不安的作品很有趣。

When I saw the topic Reunited, I thought of Chinese jiaozi. All Chinese people know this food. It has a special meaning even though it is a very common dish. During the Spring Festival, people who are not in their hometowns go home. Families who have not seen each other for a long time get together to eat dumplings. That is why my two works are created around this pattern. I also decided to use traditional Chinese painting motifs and combine these compositions with the rather unexpected element of jiaozi. For my first painting I used the image of the crane which has different meanings. It represents good luck, longevity and old age. I also understand the word reunited as the unification of ages and time. The eternal crane combined with the jiaozi creates a strange and quite funny vision. The second work features a jiaozi as a solar figure, emerging from the cooking pot. I am kind of trying to combine a serious aesthetic form with a sense of humour. The eternal crane combined with the jiaozi creates a strange and quite funny vision.This mixture of genres is perhaps close to the kitsch aesthetic, bordering on strange taste but I find it interesting to be able to create strange and disturbing compositions.