我为月球上的宇航员设计了一个墓地，希望让人们与死去的人们相连，让宇航员与他们在地球上的家团聚。 人类是由地球、自然和生态系统哺育的。在他们死后，他们的身体回归生态系统的循环。该过程可否在月球上重新出现？ 我用管子里的藻类分解骨灰瓮里的尸体，在人造的树状生态系统里生长。随着时间的推移，更多的宇航员死亡，而藻类提供更多的氧气和营养。每个系统相互连接，这片人造的蓝藻森林就像真正的森林一样茁壮成长。死亡本身，在月球上创造了生命。我调查了一些航天技术数据来证明我的项目的可行性，包括藻类的适应性和支持这个项目的工程仪器。通过对月球地形的调查，我选择了一个具体的位置：沙克尔顿环形山，那里有丰富的冰水和恒久的太阳资源，可以让我的项目存在和发展。其下的熔岩管隧道，可以保护人们免于陨石、伽马辐射和高温波动的威胁。NASA预测，有些熔岩管隧道，拥有和一座城市一样大的空间。 在那之后，我探索了几种藻类管结构的可能性。考虑到月球上的低重力，这些结构更轻，更加自由与多变。我用Rhino制作了数字模型，用Luminon渲染，也制作了实体模型，来说明它是如何工作的。

I designed a cemetery for astronauts on the moon. I hoped to reunite people with the death and reunite astronaut with their home on the earth. Humanity is nurtured by the earth, by the nature and ecosystem. After their death, their body returned to the circulation of ecosystem. Could this process be repeated on the moon? Thus, I used algae in tubes to decompose the ash of the body in an urn, then the algae will grow in a man-made tree-shaped ecosystem. As time goes on, more astronauts die while more oxygen and nutrition are provided by algae. Each system begins to connect with each other, and the algae woodland flourishes like a real forest. So the death creates life on the moon. I investigated on some technological figures on astronautics to prove the feasibility of my project, including the adaptability of algae and engineering instruments that support this project. By investigating the landform of the moon, I chose the exact location, Shackleton Crater, with abundant ice-water and eternal solar resources that capable for existence and development for my project. The lava tube tunnel under it, with protection from meteorites, gamma radiation and high temperature fluctuations, is predicted to have tremendous space as a city by NASA. After that, I explored several variations of the structure of algae tubes. Considering the low gravity on the moon (1/6 G), it is lighter and more changeable. I made digital model by Rhino and rendered it by Luminon by myself. I also made physical models to illustrate how it works.