REUNITED于我来说是生死之间的链接或是交融。我研究了许多领域的生与死，尤其是艺术品。我发现了一些使用铁丝作为主要材料的艺术家，比如安东尼·葛姆利，马丁·赖特等。受他们启发，我选择了金属丝这一独特而可以产生线性美感的材料进行了创作。作品包含两张画与一个雕塑，用木板与铁丝产生联系。黑与白代表了生与死。因木片本身具备纹路，所以我在白颜料上覆盖了荧光剂并营造了昏暗的环境。一张画是母子像，母性光辉使她成为白色的部分，黑色的孩子则是因为孩子是刚刚从死亡转生的。另外一张是交融的黑与白人像，像是身体与灵魂的碰撞——相交却无法触碰。 雕塑为作品主体，由木头、丙烯颜料与铁丝组成。木头长满木刺且为实心，凸现自然，与尖锐光滑的铁丝产生强烈对比。人像双手环胸，就像融合的生与死一样矛盾却融洽。

REUNITED is a link or blending between life and death. I've looked at life and death in many areas of human knowledge with particular attention to art pieces. So I came across a few artists who use wires as the main material – amongst them, Antony Gormley and Martin Wright. Fascinated by their work I started to experiment with the material and discovered the uniqueness of wire and the linear beauty possibilities it can produce. This work contains two paintings and a sculpture. The material of the painting is wood, iron wire and acrylic. The purpose of using wood and wire is to connect with another work. The black and white pigments represent life and death in a certain way. Because the wood itself has textures, the white paint is covered with a fluorescent agent to create a dim environment. One painting is a portrait of a mother and a child. The brilliance of maternity makes her a white part. The black child was reincarnated after his own death. The other is a blended black and white portrait, like a collision between body and soul-intersected but unable to touch. The sculpture is the main part and is made up of wood, acrylic and wire. The wood is solid and full of thorns, which is natural and contrasts sharply with the smooth iron wire. The sculpture puts both hands around the chest, contradictory but harmonious - just like the fusion of life and death.