这个动画作品通过重组象形文字的方式，讲述了一个女孩从出生到为人母的过程和遭遇。我以此为切入点讨论汉字中潜在的对性别的刻板印象。 文字本身只是一个工具，原不存在褒贬，但歧视却不可避免地根植在文化中，并在文字上反映出来。姦婊妓奴婪妄嫉妒——我们不难发现汉字中许多的负面词汇都与女性有或多或少的关联，无论客体是不是女性，偏旁却都是“女”字。究其原因，汉字是象形文字，而象形文字的本质，就是把要表达物体的外形特征，具体勾画出来。因此汉字像镜子一样，折射出中华几千年以来存在的社会问题。而即使距离汉字的祖先甲骨文出现已经过去了3600年，随着朝代更迭，汉字和社会中对性别的刻板印象依然存在。 结合毕业课题“REUNITED”，我用尚未从象形特征中抽象出来的甲骨文展现这些字符最初的模样，带大家回到文字重生初启之际进行再重组。希望我的作品可以用短短几分钟将人们从性别歧视的“温水”中抽离片刻，提供一个不同的视角去审视汉字映射出的社会问题。

This animation tells a story of a girl's life journey from birth to motherhood through the recombination of pictographs. It focuses on discussing the potential gender stereotypes in Chinese characters. The word itself is just a tool, not originally positive or negative. However, the discrimination is inevitably embedded in culture and shown in words. Rape, whore, slavery, greed, and jealousy - it is obvious that many negative words in Chinese characters are related to women in one way or another. The components of these words are "female", whether the object is female or not. The reason for this is that Chinese characters are pictographs, and the essence of pictographs is to outline the characteristics of the object by expressing them in concrete terms. Therefore, we can say that Chinese characters are like mirrors that reflect the social problems which have existed in China for thousands of years. Even though 3600 years have passed since the emergence of the oracle bones, the problem of gender stereotypes in Chinese characters and society still persists with the change of dynasties. The subject of this work is 'reunited'. The oracle bones have not yet been abstracted from their pictographic features, show the original appearance of these characters. The animation aims to take people back to the beginning of the rebirth of the characters and reorganize them. Hopefully, my work will move people out of the comfort zone of sexism for a few minutes, and provide a different perspective on the social issues reflect in Chinese characters.