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我的作品的叙事结构分为两部分,一部分是对比分析Air Jordan1和Air Jordan31两款球鞋在20年间款式迭代所带来的市场影响,另一部分是对于审美观的轮回以及不同时代中消费观念的思考。在制作过程中,我将调研的数据等信息通过图形化的方式表现出来,同时加入生动的历史视频资料,将观众带回到美国80s的篮球场。对于作品展览的形式,我将运用复古的电视承载影像资料,烘托作品整体复古的氛围,希望能带给...
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我的作品的叙事结构分为两部分,一部分是对比分析Air Jordan1和Air Jordan31两款球鞋在20年间款式迭代所带来的市场影响,另一部分是对于审美观的轮回以及不同时代中消费观念的思考。在制作过程中,我将调研的数据等信息通过图形化的方式表现出来,同时加入生动的历史视频资料,将观众带回到美国80s的篮球场。对于作品展览的形式,我将运用复古的电视承载影像资料,烘托作品整体复古的氛围,希望能带给...
我的作品的叙事结构分为两部分,一部分是对比分析Air Jordan1和Air Jordan31两款球鞋在20年间款式迭代所带来的市场影响,另一部分是对于审美观的轮回以及不同时代中消费观念的思考。在制作过程中,我将调研的数据等信息通过图形化的方式表现出来,同时加入生动的历史视频资料,将观众带回到美国80s的篮球场。对于作品展览的形式,我将运用复古的电视承载影像资料,烘托作品整体复古的氛围,希望能带给观众良好的观感。
The narrative structure of my work is divided into two parts. One part is my comparative analysis of the market influence of the Air Jordan 1 and Air Jordan 31 sneakers in the 20-year style iteration. The other part is thinking about the cycle of aesthetics and consumption concepts in different eras. In the production process, I presented the survey data and other information in a graphical way, added vivid historical video materials to bring the audience back to the 80s basketball court in the United States. Regarding the format of the work exhibition, I will use retro TV to carry image materials to highlight the overall retro atmosphere of the work, hoping to give the audience a good impression.