在我看来，“ReTurn”意味着重生。我由此想到哲学符号“衔尾蛇”，它被描绘成半明半暗，就像阴阳图案一样，象征着万物的两极概念，也代表着生命的连续性和运动。在炼金术所诠释的宇宙圆形结构中，衔尾蛇象征着最高的作品，既融合又矛盾，是一个清晰而象征主义的“完美”概念。 这促使我去做了关于一元论的研究，想在一元论的哲学背景下探讨人与世界起源的关系。在作品中，我用自然、精神和逻辑来描述原点，我在不同的宗教中添加了来自原点的圆圈，连接”精神”这个关键词。 最终作品来自“一”这个汉字。它意味着世界的起源,一生二、二生三、三生万物的思想。它代表了完美的想法。在这个课题中，我重新思考生命是一个循环，它的旋转结束了无尽的过程。我认为在我们的生活中很多事情看起来不同，但实际上是相同的。这个想法反映在我的最终作品中，就像我所阐述的，从我们身边最简单的日常物品中产生的无尽的旋转。
In my opinion, "ReTurn" means rebirth. At this point, I think of a philosophical sym-bol, the ouroboros, which is depicted as half light and half dark, like the Yin and Yang pattern, symbolizing the bipolar concept of all things and also representing the continuity and movement of the life; In the circular structure of the universe in-terpreted by alchemy, ouroboros symbolizes the supreme work, which is both inte-grating and contradicting, and is a clear but vague concept of "perfection". This brings me to do the research about monism, and I want to discuss the relation-ship between man and the origin of the world in the philosophical background of monism. In my work, I use nature, spirit and logic to describe the origin and I add circles from origins in different religions and connect the spiritual point of my work. My final work as it come from the name “One” means origin of the world as in Chi-nese character one means “一” and it represent itself the idea of perfection. During this project I am reconsidering life as circle, with its rotation and endless process. I think many things in our life seems different but are actually the same. This idea is reflecting on my final work as endless rotation that come from even the most sim-ple daily objects around us as I elucidate.